Beachwood Arts Council, a Northeast Ohio gem, celebrates 60th anniversary

Aurora High School senior Lauren Baka won first place with her charcoal artwork, “Persona” at the 29th annual Ileen Kelner Juried High School Art Show, hosted by the Beachwood Arts Council. | Submitted photo

By Noell Wolfgram Evans

There is a time-honored trope in the movies of a group of plucky residents coming together to put on a show and save some community fixture. Sixty years ago, a variation on that idea played out in Beachwood. And we’re still benefiting from their efforts today.

The Beachwood Arts Council is in the midst of celebrating its diamond jubilee. For 60 years, the organization has been supporting the arts community in Beachwood and beyond. Artist and board member Carolyn Frankel says she believes there is a simple reason for the longevity of the BAC. 

“Art has the power to unite us,” she says. “It’s the soul of a society.”

It all started on Oct. 25, 1964, when several Beachwood parents organized a fundraiser. The proceeds of that artistic-focused festival went to support the Beachwood High School PTA. This was the seed from which the Beachwood Arts Council grew. 

The success of that first event convinced the group that Beachwood had an interest and appreciation for the arts that really hadn’t been explored or harnessed up to that point. So they explored ways to meet that need. 

“Those first members saw an arts organization as a way to create a sense of community,” Paula Rollins,  BAC president, says.

Those first proto-council meetings were held in members’ homes, which was borne of necessity, but also provided opportunities for true community input around what people wanted to see next. By 1968, the foundation had been laid and they became an official nonprofit.

The group was given space inside of the original Beachwood Village Hall, where it stayed until 2007 when the organization moved to its now familiar home in the Beachwood Community Center.

Rollins says that the BAC’s support of the arts has been possible thanks to a true “partnership” with the city. 

“They have always been so supportive,” she says. “Everything has been in-kind, including the use of the community center.” 

In that spirit of partnership, the BAC has provided the city with permanent art installations, including the sculpture Family Suite which was installed on Richmond Road in front of city hall in 1991.  

A true center for the arts

The interactive “Free Little Art Gallery” designed by Leah Gilbert, Lili Bosler and Arlyne Bochnek, invites visitors to place their own art or take a piece of art in the miniature gallery. | Photo courtesy of Beachwood Arts Council

The BAC is more than a space that exhibits work. It also holds workshops for adults and children, hosts musicians as part of its Sunday Sounds series and organizes tours to expose people to different types of art throughout the broader community. It visited local galleries, museums, artist studios, and recently toured Lake View Cemetery. While there is generally a small cost for off-site activities, most of the events that take place at the BAC are free.

“We are located in Beachwood, but we really represent all of Northeast Ohio,” Rollins says. “I think Cleveland is such a wonderful cultural city. We try to take these opportunities to bring people closer to it.”

Of course, if you do want to sit and enjoy a work of art, the BAC hosts four full shows a year. Two of those shows feature professional artists, one dedicated to local talent and the other to those with a national profile. An art exhibit committee selects those to be exhibited from a group that has been nominated, applied, or suggested. The process has resulted in exhibits of paintings, mixed media, pottery, illustration and more. The shows not only provide an opportunity for the community to experience new artistic styles, they also provide a unique opportunity for artists to experience the response their work elicits.

“I love explaining what’s behind my paintings, so one of my favorite things about showing my work at the BAC is seeing someone have that ah-ha moment when they finally realize what a painting is all about,” Frankel says.

Rollins adds, “We are always looking for ways to offer new artistic opportunities to a range of different people. We have a diverse population in our community and it’s important that we try and promote our programming accordingly.” 

To illustrate that point, she calls out the recent rakhi bracelet making workshop that was held in February in honor of the Hindu celebration Raksha Bandhan.

Celebrating young artists

While two of the BACs yearly shows are dedicated to professional artists, the other two celebrate those just starting to explore their artistic talents.

The Beachwood Schools K-12 Art Show provides an opportunity for students in the district to perhaps have their artwork shown for the first time in a setting other than their parents’ fridge.

“The BAC is very encouraging. It helps give artists visibility,” Frankel says. “It’s a necessary organization that can foster local creativity.”

For over 20 years the BAC has also hosted the Ileen Kelner Juried High School Art Show. That show is open to students who attend one of the 25 area high schools. The most recent show, which wrapped in March, featured nearly 100 pieces. In 2018, this traditional exhibition was renamed in honor of Ileen Kelner, past president of the BAC.

The BAC also is the custodian of the The Si and Shirley Wachsberger Arts Scholarship Award. This is a $1,000 scholarship supported by the Wachsberger and the BAC and provided to a young artist on a rotating basis in the performance, visual, or musical arts.

Finding new ways to connect the community

All of the art at the Beachwood Art Gallery isn’t hanging on the walls. You’ll find some of it tucked inside of a box right outside the side door. There, visitors will find a delightful Free Little Art Gallery where anyone can pick up an artistic treasure for their home and aspiring artists can leave a piece of their own to share with the community. It’s a way to get to what Rollins sees as one of the goals of the organization -“You have to experience art to become an artist.”

“We need more venues like this,” Frankel says. “I think every city should have an arts council.” 

Exhibit on display at Roe Green Gallery in Beachwood

Matthew Garson, curator of Israeli artist Shlomo Katz’s exhibition The Golden Age, stands with Katz’s granddaughter Netta Rosin, left, and daughter Gilly Rosin at the April 6 opening in the Roe Green Gallery in Beachwood. | Canvas Photo / Abigail Preiszig

By Abigail Preiszig

A result of three generations of collaboration, Israeli artist Shlomo Katz’s first exhibition since his sudden death more than 30 years ago will be on view through Aug. 26 in Beachwood.

His daughter, son-in-law and two granddaughters traveled from New York City and Tel Aviv to commemorate the opening of “The Golden Age” on April 6 in the Roe Green Gallery at the Jewish Federation of Cleveland’s Jack Joseph and Morton Mandel Building.

“This is a lifelong dream and a goal for (his daughter) and her entire family,” Matthew Garson, exhibition curator, says. “So, it’s even deeper than what a typical artist having an exhibition would have. It’s very emotional and special.”

Gilly Rosin provided the exhibition’s first 100 visitors with “clues” about the manifestation of her late father’s characteristics in the paintings and prints on display in the Roe Green Gallery. 

“Many tears were shed during the preparations for the exhibition, and today we are overflowing with all different kinds of emotions,” she said to a captive audience. “This seemingly puts a melancholic and heavy air on the entire opening and exhibition, but my father, Shlomo Katz, was a very lively person, a great storyteller, funny, warm and loving, and I want him to be remembered as the person he was.”


“Winter,” (undated) by Shlomo Katz, oil paint and gold leaf. | Canvas Photo / Abigail Preiszig

Katz’s career spanned from the 1970s until he died in March 1992 in Holon, Israel, at age 55. A Holocaust survivor, he always had talent for drawing and studied art at École des Beaux-Arts in Paris as a young man.

“The Golden Age” is named for his original technique of painting by applying oil on top of gold leaf that he translated onto paper using metallic gold inks to create screenprints, Garson said. Some of his screenprints were created using up to 50 different layers.

Katz combined several styles from different periods in art history into his work and drew inspiration from medieval icons and oriental miniatures. His techniques resulted in a combination of deep vibrant colors combined with a metallic surface that glowed, forming a totally new modern image filled with light.

The exhibition includes three limited-edition portfolios: The Passover Portfolio (1982) with 10 pieces, The Four Seasons Portfolio (1984) with four pieces and The Psyche Portfolio (1988) with four pieces.  “April,” is a standalone piece, was created in 1990 using oil paint and gold leaf as part of a series on months cut short due to his death. 

“We felt that this exhibition is part of our family story and that we all need to be here together to see it and to go through this together,” Gilly Rosen, visiting Cleveland for the first time, said. 


Shlomo Katz’ daughter, Gilly Rosin, and granddaughter, Netta Rosin, visit Cleveland for the first time from Tel Aviv and New York City, respectively.  | Canvas Photo / Abigail Preiszig

During the COVID-19 pandemic the family bought Katz’s painting, “Jacob and the Angel,” created in 1987 using oil paint and gold leaf, with the purpose of donating it to a “good, permanent home,” his granddaughter, Netta Rosin, said.

As the director of visual arts and literature in the office of cultural affairs for the Consulate General of Israel in New York City, she knew of the Federation and its “amazing work” through the Cleveland Israel Art Connection and reached out via email to donate the piece in 2023, she said.

“The piece itself, it’s a biblical theme, so, it’s something that we knew that we wanted to have a Jewish organization have it,” Netta Rosin said. “Also, one of his biggest projects that he completed in his lifetime is nine big paintings for the Colorado Springs Air Force Academy Cadet Chapel and ‘Jacob and the Angel’ is one of those nine paintings, and this painting is a variation of it.”

The donation, now part of the Federation’s permanent collection, encouraged Garson to delve deeper into Katz’s work, he said. The Lyndhurst resident and Netta Rosin met a few months later in New York City where he learned of more art and Gilly Rosin’s efforts to bring a show of her fathers to fruition. 

“I said, ‘I think we want to do a show,’” Garson, chair of the visual arts sub-committee of the Cleveland Israel Arts Connection, said.

Born in 1937 in Lodz, Poland, Katz was very optimistic despite his early childhood spent fleeing and hiding from the Nazis with his mother, Ida, Gilly Rosin, said at the opening. They spent two years in the woods of Belarus with a group of partisans, The Bielski Brothers, before he immigrated to the British Mandate of Palestine when he was 8 years old.

“In ‘The Four Sons,’ look at the innocent one: the way he offers the flower to the wicked, who is aiming his arrow at the defenseless caged bird: the good-hearted and, well, innocent expression on his face, the simple offering of the flower. I think he is the son with whom Shlomo identified the most,” she said, connecting the screenprint to her father’s early childhood. 

Katz grew up in Kibbutz Mishmar Ha’emek, an agricultural collective community in Israel, and worked with farm animals from a young age, Gilly Rosin said, recalling that they always had a dog and Katz kept two parrots in his studio. 

In his paintings, he conveyed his affection for animals, especially dogs – about 30 of which are seen in the exhibition in addition to birds, bees and other insects, she said. 

Katz also had a “great sense of humor” – seen in the feet of baby Moses peeking from the basket in the screenprint, “Moses in the Basket” – loved children and was a humanist, “always curious about people,” Gilly Rosin said. He was a secular man “but he loved reading and illustrating bible scenes because he found the bible a great source of all kinds of human interactions, which was really the core of his interest.”

“He told me once, that in a landscape painting, as soon as there is a human figure in the composition – that’s when the painting becomes interesting to him,” she said. “… In every one of the paintings, we can see demonstrations of emotions and interactions between people.”

Gilly said she hopes the exhibition will open other opportunities in the U.S. and Israel to showcase her father’s art and “regain his name as an important Israeli artist,” she says.

“I hope that it won’t be the end point of our journey, it will be just a starting point,” she said.

Gallery open houses and curator talks will be held twice a month. Upcoming dates include 6 to 8 p.m. June 24 and 1 to 3 p.m. July 13, Aug. 10 and Aug. 24.

Open houses will be accompanied by the 27-minute film, “Shlomo Katz – A World of Symbols,” by Hila Waldman. The film chronicles the life and influences that led Katz to create his unique “Golden Style” of painting. Interviews with family, friends and colleagues trace the artist’s life, including his commission at the U.S. Air Force Academy in Colorado Springs, Colo., until his death.

Jane Glaubinger, retired curator of prints for the Cleveland Museum of Art, will discuss techniques used by Katz in creating his renowned screenprint portfolios from 9:30 to 11 a.m. July 16 in the Roe Green Gallery. 

The gallery is open by appointment for group tours or individual visits. 

For more information, email
israelarts@jewishcleveland.org, call
216-593-2890 or visit bit.ly/44DSCCt